• Advanced user of macOS, practical experience with QLab, Ableton Live, Logic Pro and Reaper,

• Strong working knowledge of digital consoles: DiGiCo, Yamaha, Behringer, Midas, Allen & Heath, as well as Yamaha DME processors,

• Experience with sound reinforcement systems: D&B Audiotechnik, EM Acoustics, Meyer Sound, Martin Audio, Yamaha,

• Practical knowledge of Dante audio networks and wireless microphone systems,

• Category B driving licence,

• Fluent in English.

Professional Experience

2018–2025 – Freelance sound engineer specialising in theatre and live sound mixing, sound system installation and sound design.

2025

• Ewa Partum – New Perspectives, Jerzy Grotowski Institute Theatre, Wrocław — Sound Engineer.

• Emma, Rose Theatre, London — Production Sound Engineer / Sound Engineer.

• Centre of Islamic Civilisation, BeWunder, Tashkent, Uzbekistan — Audio system installation (Dante network).

• Kings Cross Summer Sound, London — Live Sound Engineer.

• Oracle Song, Barbican, London — Production Sound Engineer.

• The Traitors: Live Experience (David Gregory), London — Audio system installation.

2018 – 2024

• Royal Central School of Speech and Drama, London – Sound engineering and sound design for various theatre productions.

• King’s Cross Summer Sound, London – Sound Engineer.

• National Theatre, London.

• Complicité Theatre, London (production based on Olga Tokarczuk’s novel Drive Your Plow Over the Bones of the Dead).

• Graeae Theatre, London.

• Green Man Festival, Wales.

• Collaborations with directors Simon McBurney and Katie Mitchell, and sound designers Tom Gibbons and Melanie Wilson.

• Sound Nr 1 for the UK tour of The Lovely Bones and Good Dog (sound design: Helen Skiera).

2010 – 2018 – Connection Crew

• Position: crew, later crew chief.

  Corporate events, festivals, and exhibitions. Responsibilities: stage construction, sound and lighting installation, and     crew coordination (up to approximately 30 people) during event setup and de-rigging.